The Showrunner In Me

The only reason why I want to be a showrunner is because I love telling people what to do.

LBH (Let’s Be Honest)

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JK

LOL

LMFAO

TTYL

BRB

According to Google, a showrunner, in the most basic terms, “is the person who has overall creative authority and management responsibility for a television program.”

I want to lead and run my own TV shows.

ICYMI, In Case You Missed It, no one is going to create my career for me but me.

Showrunner: Ryan Murphy, Gloria C. Kellet, Mike Royce, Tanya Saracho, etc.

However, I want to be in front of the camera as well. I want to see my face up on that screen in addition to developing and writing the stories I’m interested in telling. I want to see my face on billboards and magazine covers. I didn’t have anyone that looked like me or sounded like me when I was growing up. THIS IS VITAL TO ME that I represent up there as well. I BELONG.

OTOH, On The Other Hand, when I was growing up, I wanted to be Madonna. As an adult, I still do. Hell, when I come back in the next lifetime, I want to be Madonna.

BTT, Back To Topic!!

DGMW, Don’t Get Me Wrong, I want to be me too. I love being me. And it feels so good each time I infiltrate mainstream public consciousness with my work, my voice, my sensibilities, my art.

So maybe it’s more like Lena Dunham, Mindy Kaling, Issa Rae, etc. They are behind the camera as showrunners and in front of the camera as the stars.

But damn, I love movies too. AAMOF, As A Matter Of Fact, movies are my first love. I originally came to Los Angeles to be in movies. I love movies and I love being in them.

Hmmmmm, so maybe it’s more like Tyler Perry, Tina Fey, Dan Bucatinsky, etc. They are actors, writers and producers on both the film and television fronts.

Yeah! Actor, writer and producer for film and television.

I want it all!

I want to be in front of the camera and behind the camera. Film and television. Infiltrate the mainstream. Change perceptions. Fuck with perceptions. Challenge perceptions.

DIY, Do It Yourself, because no one else is going to do it for me. Work hard. Build relationships. Make bold moves.

This will be it.

It will happen. I have the talent. I have the intelligence. I have the work ethic. I make things happen. I make a set better. I uplift people. I administer tough love. I am a mensch. I love this explanation of a mensch from Wikipedia: “According to Leo Rosten, the Yiddish Maven and author of The Joys of Yiddish, a “mensch” is “someone to admire and emulate, someone of noble character. The key to being ‘a real mensch’ is nothing less than character, rectitude, dignity, a sense of what is right, responsible, decorous.” The term is used as a high compliment, implying the rarity and value of that individual’s qualities.”

This will be it.

MMW (Mark My Words)

EOD (End Of Discussion)

P.S.

LBH, I really want to win some Emmys, Golden Globes, Oscars, etc. as that actor, writer and producer just so that I can go to the after parties with my awards in hand and channel Madonna’s dance spirit and outfit below. Riccardo Tisci, Tom Ford, Jean Paul Gaultier, Christian Lacroix, John Galliano and Rik Villa will each take turns to dress me.

Madonna

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A Big Win!

Hey everyone!

Last Sunday, I mentioned that I was taking a big action for my career on Monday, July 24th. That I was taking an action that would move one of my projects significantly closer towards my goal for it. I also mentioned this was a project I had been diligently working on since November 2014 and I postulated how everything would go on Monday.

The project was my feature film script that I wrote with James Franco in mind to play the villain and I successfully dropped it off to his production company!!! Shortly after I dropped off my script, my management company emailed his production office a PDF copy of my script! And let me say that this wasn’t an unsolicited drop off. This was a result and culmination of all the hard work I’ve done to get to this point. And I am filled with extreme gratitude and pride.

Monday was a lesson and RECONFIRMATION of many things.

#1 Postulates. I saw exactly how the drop off would go. I saw how the conversation would go with the contact person at his production office. I saw it so clearly. Now, on the day of, there were a couple of hilarious twists and turns that were thrown into the mix, but they still led me to the postulate I had. Everything played out how I saw it in my mind. And because I saw it in my mind, I was able to deliver my product successfully in person.

#2 Community. I could not have done this without the support of my teacher, my trusted classmates and friends. Richard Lawson for teaching me what it means to create your own career and to go after it. My classmates for asking me the next question when I would present my script in class and when I would present ideas I had to create exposure for it (e.g. From having a table read to creating an extensive social media campaign) Lindsay Hopper for researching and gathering info the week before. Reed Iacarella for being the best assistant a person could have. You are a great cheerleader!

#3 Research. Knowing what I’m walking into. Knowing who the buyers are. Speaking their language and vibe. When you take the time to do research and be thoughtful about your outflow to someone, it makes a difference. Research creates an honest connection and it was incredibly satisfying to see items that I had already been outflowing to them in their possession.

#4 Always be nice to the gatekeepers! They are the first line of defense: Security guards, receptionists, assistants, etc. We were so nice to the gatekeeper and treated them like a fellow human being, that they quickly became our ally. When we arrived, the person we were looking for wasn’t there yet. We waited. We knocked on the door. We made a phone call. We then decided to go downstairs and because we were so nice to the gatekeeper, they asked us how it went. When we told them that our contact person wasn’t there, they immediately said, “Wait, I just saw them go upstairs. Go back up there!” They wanted us to successfully complete our meeting.

#5 Celebrate. After all was said and done, I celebrated and let it go. I focused on that win. What happens afterwards, happens afterwards. The win was that I delivered my script to James and his staff. My manager also delivered my script to them. That’s the win. I delivered my product. The rest is out of my hands now. I DELIVERED my product and the rest is now out of my hands.

That being said, I WILL finish my social media campaign today (Sunday) just to complete that cycle of action (and so everyone can see all the cool celebrity endorsements I utilized to create visibility for my feature film) And I’ve already begun working on securing an attachment for the female hero and lead of my feature film script.

Onward and forward!

Taking It To The Next Level!

Hello everyone! Hope you’re all having a good weekend! In true Chasing The George fashion, I am taking a big action for my career on Monday, July 24th! I am taking an action that will move one of my projects significantly closer towards my goal for it. This is a project I have been diligently working on since November 2014 and I am postulating the way everything will go not only for Monday, but beyond.

I am very excited. I feel incredibly empowered. I feel gratitude for the career I am creating for myself.

Stay tuned for next Sunday’s blog for more info on what I’m talking about and how it all went!

Happy Birthday!

IMG_1453.JPG

Photo courtesy of Party Ark

Chasing The George is 2 years old! (Actual birthday is July 10th, but I post new blogs every Sunday)

I am so proud and grateful that my weekly blog has come this far and has inspired so many people around the world. What an incredible and magical ride it has been. I look forward to the year ahead and continuing my journey with you all!

I would like to thank:

  • Richard Lawson for encouraging me to begin this blog
  • My fellow friends and classmates at the Richard Lawson Studios
  • Chris Beber
  • My family and friends
  • My reps
  • The Academy of Motion Picture Arts and Sciences
  • The Academy of Television Arts and Sciences
  • Madonna
  • RuPaul
  • Alyssa Edwards
  • Bianca Del Rio
  • Sahsa Velour
  • Tatianna
  • Aja
  • RuPaul’s Drag Race
  • James Franco
  • Jennifer Garner
  • Evangeline Lilly
  • Harvey Weinstein
  • Tyler Perry
  • Vassar College
  • My acolytes
  • Champagne
  • Trader Joe’s
  • Superman
  • Three’s Company
  • The Twilight Zone

My 100th Blog Post (& Celebrity Friends!)

This is my 100th blog post!! Holy shit! What an amazing and blessed journey this has been! I thank you all for taking this weekly journey with me on Hollywood 101 advice and the journey I’m on to create the career I want. And what better way to mark this milestone moment than with this:

On Thursday, June 1st, I officially launched the next phase of my feature film project. I wrote a feature film script with James Franco in mind to play the antagonist. I started this journey in early November 2014. This new phase includes working with my team to get the script to him, plus a social media campaign that includes a little endorsement help from my celebrity friends.

On June 1st, the exquisite former First Lady, Michelle Obama, was the first to endorse my feature film script for James Franco on Twitter and Instagram. On Monday, June 5th, a new celebrity will endorse my feature film on Twitter and Instagram.

Twice a week, I will receive a new celebrity endorsement because they believe in my script and want James Franco to read it and attach himself to it.

Chasing The George!!!!!! Keeping it 100!

Michelle Obama endorsement

Sleeping With James Franco Part 2

Dear James Franco,

I haven’t forgotten about you! I know, I know! The last time I wrote you an open letter was on July 15th, 2015. It was titled, “Sleeping With James Franco For 8 Months”. For those of you who are interested in reading that blog entry, here is the link:

https://chasingthegeorge.wordpress.com/2015/07/26/sleeping-with-james-franco-for-8-months/

Rest assured that I haven’t forgotten about you! I am implementing the next phase to seal this deal! And to make it up to you, here is a song I want to dedicate to you from “The Roar of the Greasepaint, The Smell of the Crowd”. Lyrics appear below the picture.

james-franco-smile-computer-wallpaper-52853-54571-hd-wallpapers

“Look at that face –
Just look at it,
Look at that fabulous face of yours.
I knew first look I took at it,
This was the face that the world adores.

Look at those eyes –
As wise and as deep as the sea.
Look at that nose –
It shows what a nose should be.

As for your smile, it’s lyrical –
Friendly and warm as a summer’s day –
That face is just a miracle.
Where could I ever find words to say.

The way that it makes me happy
Whatever the time or place?
I’ll find in no book
What I find when I look
At that face.”

Writer Whore?

I love James Franco. He and I have a special connection and relationship. Our chemistry is undeniable. I’m about to start the third draft of my screenplay where James is the antagonist. By the way, I finally have a title for it! But I won’t reveal the title until I finish this third draft and register it with the WGA and the U.S. Copyright.

Every time I read James Franco’s dialogue, I blush. I become giddy. When I read his dialogue, I hear his voice and I see him looking at me with an irresistible twinkle in his dark brown eyes. At 5’7", 167.5 lbs and 10 inches…….in shoe size…….he is my muse for this particular script. We love each other and I always thought we would be together forever.

But lately, something strange is happening. I find myself sneaking out at different hours of the day and I don’t want James to know about it. And to a certain degree, I don’t want the other characters in the feature film to know about it either. But James in particular because he is my favorite.

What am I doing at these different hours? I’m writing a new series set in NYC! And I feel guilty because I’m falling in love with the new characters in it. I feel like I’m cheating on James Franco. I invested all this time into James and now I’m investing time into these new characters. And like James, one character has emerged as my favorite and he might end up being the break out character of the series. He is scraggly, skinny, unkempt, rocks dental braces and looks like his brain is a little fried. I love writing dialogue for him and breathing life into him.

This new character makes me laugh. He makes me smile. He makes me blush. I find myself reciting some of his lines out loud as if they were Shakespearean sonnets. I have a visual prototype of this character and I can look at it forever. His eyes are also dark brown and he looks at me with a twinkle in them. And don’t even get me started on another character who comes in at a very close second place. At four years old, audiences will fall in love with this adorably complex character.

OMG, I’m having a fucking affair behind James Franco’s back. I feel horrible. I’m betraying him. Should I come clean to him? What the fuck do I do? I’m a horrible person. Then it hits me: I’ve done this before. I was in love with the characters in a feature film titled Love Returned. It was all about them. And then, when I came up with the idea for the James Franco screenplay, I moved on from Love Returned. I’m a fucking writer whore. Oh God, a writer whore. Brand me with the scarlet letter.

A writer creates characters in a particular world for a certain period of time. A writer develops a very personal, intimate and long-lasting relationship with these characters from conception to completion. Sometimes, completion occurs when the project is released in the cinemas, or on TV, or online, or in bookstores, etc. Completion could also occur once awards season is over or once a project has run its course on the film festival circuit. And once that journey is complete, the writer moves on to a brand new set of characters and begins a whole new relationship with them. Or sometimes, like in my case, writers will be simultaneously managing multiple projects with different sets of characters and worlds. I’m having multiple affairs. Oh God, I’m a fucking writer whore jumping between the peeps in the James Franco screenplay and the peeps in the new series. And oh shit, I just remembered that I recently revisited a short film script and made changes to it as well.

But wait a minute, this is a common occurrence in the literary world. For example, JJ Abrams created the TV series, Alias. He was incredibly involved with Alias until he turned his attention to creating LOST. LOST became his new lover. And he kept that up until he created and/or executive produced other TV shows and movies. He’s just ONE of COUNTLESS examples.

I have written two feature films, two TV series, a short film and a non-fiction novel in the last few years. I was madly in love with the characters from the TV series, Chris/Tina, before I moved on to the amazing characters in the feature film, Love Returned. Then I moved on and fell in love with the characters in the short film. Then I moved on to the James Franco feature film. Now I’m falling in love with the characters in this new TV series. And each project has that one or two characters who become my favorites: Chris and Diego in Chris/Tina, Xavi and Jordan in Love Returned, Emilio in the short film, James and Laura in the feature film, Pito and Dominic in the new TV series.

But the amazing and cool thing is that whenever I re-visit any of these stories, I fall in love with the characters all over again. They are all part of my literary universe and life. They all are part of an artistic theme and arc. Baz Luhrmann has his Red Curtain Trilogy (Strictly Ballroom, Romeo & Juliet and Moulin Rouge) Krzysztof Kieslowski has his Three Colors Trilogy (Blue, White and Red) Quentin Tarantino wanted to combine Inglorious Basterds and Django Unchained with a third film to create a Rewritten History Trilogy. Other writers have their own trilogies, arcs, series or themes. I feel like the body of work I have created falls under an arc. And they fall under the category of Urban Operas: Works that are cinematic, dramatic, musical, hard-hitting, real, impinging, tells it like it is, humorous.

Every character and world in each of my projects is connected to each other and they create something greater. The challenges Xavi experiences in Love Returned is no different than the challenges that Chris faces in Chris/Tina or the ones that Laura faces in the James Franco screenplay. These are human beings trying to survive and be the best that they can be against extraordinary circumstances and challenges. Even my non-fiction novel chronicles my own personal journey against a particular set of extraordinary circumstances and challenges during the summer of 2014.

I share something special with each character. Each one brings a new dynamic to the table. Sometimes a character in one project informs a character in another. Sometimes I recycle dialogue: I’ll take a paragraph or a monologue from one project and use it in another project and I’m amazed at how beautifully it still works.

Wow, maybe I’m not cheating after all! Maybe in this case it’s okay to be a whore. These characters and these worlds all take care of each other. They are part of an artistic whole. Part of the Urban Opera I’m weaving and conducting.

So now that I am aware of this, I don’t have to sneak around anymore. I don’t have to feel guilty anymore. I can embrace my whore. I can look James in his dark brown eyes and say, “Babe, I’m going to spend some time with the peeps at the new series. I’ll see you later tonight.” And vice versa, I’ll let the peeps at my new series know that I’ll be spending time with the peeps at the James Franco movie. I can tell Laura that I want to spend some time with Emilio and Jacob from the short film. And on and on and on.

I’m a writer whore and proud of it. Brand me with it.